Yvonne Meissner starts to dance Argentine Tango in 1987: First in the style Tango Fantasía (Vanina Bilous & Alejandro Aquino, Gustavo Naveira), after some years Tango de Salón apilado (Pepito Avellaneda, Tete Rusconi & Maria Villalobos, Cacho Dante & Susana Miller), from 1990 also called Tango Milonguero and Canyengue Orillero (Rodolfo & Maria Cieri, Pocho Pizarro).Yvonne has formations in Contact Improvisation, Modern Dance Techniques and holds titles in body work formations like Focusing and Somatic Experiencing® Trauma Institute as well as the Alexander-Technique after 2012. From 1994 she is one of the first teachers in Europe to combine these techniques for tango teaching. As a consequence she is invited througout Europe on invitation from 1996 to apply this surprising blend that speeds up bodily integration of movements .
In 1994 she set up tango in the Dutch cities Haarlem and ‘s-Hertogenbosch. In the same year Yvonne was the first organizer ever to bring (for then) no-name milongueros from Argentina and so f.e. Susana Miller and Cacho Dante started their first international steps outside Argentina in her school in ”El Centro” in Amsterdam. A benchmark in European tango history when dancing close embrace, Tango de Salón Apilado as they say in Argentina (from 1990 known as milonguero style) was still unknown outside Argentina.
Her international carreer starts in 1996, teaching social dancing in a close embrace brings her first all over Europe and from 1999 to the USA, Canada, Brazil, Argentina. After Brigitta Winkler she was the second non-Argentinian female teacher to be invited teaching in the USA. From 1999 onwards she worked with her partner in life Eduardo Aguirre who sadly has passed away in April 2010. She has since continued teaching in Europe and in festival in the USA in 2011 and is invited in US festivals in 2012. She has worked with famous social dance teachers like Rubén Terbalca, Pocho Pizarro, Susana Miller, Cacho Dante, Daniel Trenner, Ricardo Maceiras (El Pibe Sarandì), Ana Maria Schapira, Eduardo Aguirre, Luis Rojas, Jorge Firpo, Fernando Serrano, El Pibe Avellaneda next to her own international curriculum.
Yvonne’s teaching emphasis is on the use of the torso and torsion, hip movement, synchronization of the movement inside the couple and interaction between lead and follow resulting in a conversation of bodies. For Yvonne tango functions as a way of tender communication in general and starts with a decisive, elegant way of walking and overall awareness and physical presence in space. These communication aspects became the philosophy of her teaching, that is based on contact improvisation as well as rational explanation with the help of modern dance’s body techniques to understand where a movement starts from and consecutively arrives at the dance partner. Sublimation of this bodily communication will result in moving as ‘one heart with four legs’ as her teacher Cacho Dante said…
Tango movement schemes might be part of figures, though not being aimed at figures. Music with it’s rhythm and silences, in Argentina ‘el compas’, functions as the primary inspiration and creates a sculpture of movement in space. Rhythm and pauses, turns and staccati become a challenging game in between the couple. Yvonne got famous for the rhythmical decorations of her footwork, being taught by the older female dancers (milongueras) in Buenos Aires she witnessed in the 90-ies plus Canyengue delivering an unbridled sense of communicative play for the couple. To watch her dance is to realize that there is a tremendous amount of freedom in the follower’s role. Yvonne’s style redefines the role of the follower in Tango.
Festivals Yvonne worked in (quick overview): Toulouse Festival/France (2x), Sitges Festival/Spain, Hamburg Festival/ Germany, Portland Octoberfest (4x) and Portland Valentine’s Fest/Oregon/USA, New York Ithaca Festival/USA, Colorado Denver Milonguero Festival/USA, Vermont Brandon Festival/USA and in 2012 Albuquerque Festival/USA. In 2012 in Asia.